![]() “I think I first started using Ableton when I was somewhere between 15-16 years old. ![]() Giorgia’s album ‘Quantum Love’ is out November 26th on her UNITED imprint. One of my favourite effects is Corpus and in Ableton 11 it rocks even more.” Explore the Session View and you will have a lot of fun. “Don’t be focused just on production, use Ableton Live as a real instrument for playing live music, it has infinite possibilities. “The advanced warping and real-time time-stretching, and the looper.” “Because it is the best! Easy to use, colourful, super stable.” Actually I use it for everything, from scratch to the final mixed version.” It is super intuitive and fast and it is the perfect software to record ideas and make arrangements. “I always say “Ableton Live” is my best friend. “I started in 2008 because all my friends were working with it and I loved it immediately for its colours - all the other musical software was mostly grey!” This is a really basic way of building in tempo changes to tracks and ideas without losing the flow of what you are doing, and helps seamlessly blend one idea (or track) into another when you are playing in front of an audience.” “It's simple, but using a blank scene (where you take out the stop buttons) and then editing the launch tempo of that scene. I like rethinking the parameters of the original audio I'm using too, this usually gives me even more ideas to experiment with.” The way they often sit together when I use this trick means I'm able to hear some of my ideas in a different context. “I really like the Follow Actions, it's one of my favourite little tricks that gives a set a real emphasis on the live feel. "This is really important to me, as the live space for me is about chance and one-off moments, and that's what using Ableton brings to my live performance.” “It's the only way I could see myself interacting with my audio in a live setting, to make a live show where I really am working in an improvised way, but also have the safety net of the tempo staying locked, while allowing me to experiment with any number of sounds. It allows me to hear other possibilities and act creatively in the moment.” When I'm practicing a set or just messing around with Ableton (in the Session View), I come up with so many new ideas for tracks. This has been my process for a while and I really enjoy it. “I often use Ableton purely to mess around with my existing stems of audio or just new audio (found sound) that i've captured. I often use Ableton purely to mess around with my existing stems of audio or just new audio (found sound) that i've captured “I was in my last year of university, and I only had three tracks but I ended up getting Ableton (for this gig) and making these three tracks work live, and since then my show has grown and grown to be what it is today - where I use Ableton for audio, but also have a very big immersive visual show alongside it.” I'd never played live as an electronic musician before but speaking to others Ableton kept coming up as the thing I needed to check out. ![]() “I started using Ableton live because I'd been booked for a gig, off the back of a demo I'd written in another DAW. Prequel Tapes & dBridge's Ionize EP is out now. Never leave plugins plus effects running, like this Ableton Live sounds a thousand times better.” What’s your top Ableton Live production tip? “Editing audio and MIDI in the clip view and recording on-the-fly sessions.” What’s your favourite tool or feature in Ableton Live? Today, after 18 years, I am so used to it that I don't really even have to think a lot about my actions. “In the beginning it was the playfulness of it, and that it followed a completely different path than the other common DAWs. What makes you choose Ableton Live over other DAWs? Still loving the ‘live’ attitude and that I can sketch on the fly an arrangement that I can edit afterwards.” “I just can combine everything I want, and also use it to record all my gear. How does Ableton Live fit into your creative process? Today, after 18 years, I am so used to it that I don't really even have to think a lot about my actions I even worked with Ableton at Sonar 2006 to demonstrate in a workshop how I use it in context with analog gear in the live show of the techno project I was working on back then.” In those days I shared a studio complex with other producers and musicians and made the decision then to buy and install Live 2.0 on my Power Mac. “I think that was somewhere in 2003 - back then it had been hyped for a year or so. When did you first discover Ableton Live, and why did you start using it?
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